16 718 безплатни аудиофайлове за "Midi Files Containing Pitch Bend Data"

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Wolfgang Amadeus Mozart, Eine kleine Gigue, KV 574

Du lieber, heilger, frommer Christ

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

How Stands the Glass Around

The Christmas tree is bright with candles Am Weihnachtsbaum die Lichter brennen

Sah ein Knab ein Röslein stehn

Primary and secondary melody in the opening of Bach's BWV 1079.

Franz Schubert, Deutsche Messe, "Wohin soll ich mich wenden" (D-Dur), Gotteslob (2013) Nr. 145

Dominant eleventh chord in four-part writing.

German sixth equals dominant seventh

Franz Schubert, Deutsche Messe, "Ehre sei Gott" (F-Dur), Gotteslob (2013) Nr. 413

Tritone substitution (for V) notated as Italian sixth.

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen

Schoenberg - Variations for Orchestra op. 31 tone row.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Violoncello chord on D.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Extrait au format midi Auteur Antonín Dvořák compositeur tchèque

Militärdrums aus dem ELP-Titel "Aquatarkus"

Großes Präludium in e-Moll von Nicolaus Bruhns. Source: http://www.free-scores.com/download-sheet-music.php?pdf=158, according to that page public domain. The instrument has been changed to church organ and the tempering to Werckmeister III.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Das Guggisbärglied als simple MIDI-Datei. The Swiss folk song Guggisbärglied as a simple MIDI file.

Schoenberg - Piano Piece op.33a tone row.

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Neapolitan sixth in C minor.

Svatou dobu již tu máme, traditional Christmas carol from Czechia

Thirteenth chord CMA13(sharp11).

Franz Schubert, Deutsche Messe, "Heilig" (Es-Dur), Gotteslob (2013) Nr. 388

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Malbrough s'en va-t-en guerre

Herbei, o ihr Gläub'gen (Evang. Gesangbuch 45)

Alle, die mit uns auf Kaperfahrt fahren

My Bonnie Is Over The Ocean

Leise rieselt der Schnee

MIDI file of 'Valse Lente' 1930 by Luois Lavater 1867-1953

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

Major triad on C in first inversion.

Čeština: Česká lidová píseň Kočka leze dírou Czech traditional song Kočka leze dírou

Lydian augmented scale on C.

Major triad on F in second inversion

Texas two-step drum pattern associated with the dance step.

6/8 clave, third form (rumba clave)

D-over-F-sharp slash chord.